Art

Collection Scope and Content Summary Note: unpublished until this inventory can be verified. The collection consists of 22 items. The Collection inclides oil paintings, prints, and photographs as follows: Portrait of Gabriela Mistral (1971); photograph of clouds over Hudson River; Biography by Lonnie Sue Johnson (1950); German Department sign by Judith Gilbert; Sphinx by Naomi Savage; Family Album by Marie Sturkan; Barnard Poster with Big Apple motif (ca. 1990); Autograph portrait of Twyla Tharp; Black and white photo of...

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This collection contains 1700+ folders of feminist ephemera collected by the Barnard Center for Research on Women on topics such as women, gender, activism, labor, sexuality, healthcare, marriage, psychology, development, and law.

Abstract This collection highlights the international, feminist art exhibit Connections Project/ Conexus, co-curated by Josely Carvalho and Sabra Moore. The collection contains documentation of the exhibition's creation including correspondence to and from participating artists, correspondence between the curators, correspondence with exhibiting institutions, design specifications, insurance information, and budgets. It also contains original pieces of artwork including a photocopier artists book and...

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Dianne Smith (born 1965) is a contemporary artist working from Harlem, New York. The contents of the Dianne Smith Papers include her art making and art practice materials, her teaching materials, personal and family documents, and photographs.

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This collection consists of the Barnard College feminist arts journal, Eve's Rib.

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This collection contains issues and the archived website of the Journal of Art Criticism (JAC).

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This collection consists of materials that document the history of the Program in the Arts (1970-1989) at Barnard College.

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This collection documents Sabra Moore’s involvement in the Women’s Art Movement, Women’s Caucus for Art, Women Artists in Revolution, Heresies Collective, and other feminist artist groups based in New York City from the 1970s to the mid-1990s. The collection consists of flyers, publications, artwork, t-shirts, correspondence, photographs, and protest ephemera conceived of, and created by, Moore and her artist colleagues.