Abstract This collection consists of oil paintings, prints, and photographs related to Barnard College.

Abstract This collection consists of materials from the Barnard College Art History Department.

Abstract This collection contains 1700+ folders of feminist ephemera collected by the Barnard Center for Research on Women on topics such as women, gender, activism, labor, sexuality, healthcare, marriage, psychology, development, and law.

Abstract This collection consists of the Barnard Literary Magazine, which was first published in 1974. This sporadically published literary magazine showcased Barnard and Columbia students’ poems, fiction, and occasionally artwork.

Abstract This collection highlights the international, feminist art exhibit Connections Project/ Conexus, co-curated by Josely Carvalho and Sabra Moore. The collection contains documentation of the exhibition's creation including correspondence to and from participating artists, correspondence between the curators, correspondence with exhibiting institutions, design specifications, insurance information, and budgets. It also contains original pieces of artwork including a photocopier artists book and...

Abstract This collection consists of the student-published literary magazine, Emanon.

Abstract This collection consists of the Barnard College feminist arts journal, Eve's Rib.

Abstract This collection consists of Focus on Barnard magazine, which was first published in 1948, and was the sole literary magazine at Barnard College.

Abstract This collection contains issues and the archived website of the Journal of Art Criticism (JAC).

Abstract This collection consists of zine distros, stickers, photographs, clippings, and t-shirts from zinester, Lauren Martin.

Abstract This collection consists of materials that document the history of the Program in the Arts (1970-1989) at Barnard College.

Abstract This collection documents Sabra Moore’s involvement in the Women’s Art Movement, Women’s Caucus for Art, Women Artists in Revolution, Heresies Collective, and other feminist artist groups based in New York City from the 1970s to the mid-1990s. The collection consists of flyers, publications, artwork, t-shirts, correspondence, photographs, and protest ephemera conceived of, and created by, Moore and her artist colleagues.

Abstract This collection consists of 2 VHS recordings and 8 t-shirts from zinester, Sara Jaffe.